
Tuesday, January 17, 2012
Dorian Leigh

Tuesday, December 6, 2011
Pre Code Era
From Media History Digital Library
LINK
Writers War On Filth
Plan Concerted Action This Week to Prevent Depiction Of Perversion on the Screen
Aroused by the growing tendency to depict perversion on the screen, and fearing that this may have the same baneful effect on pictures that it has had on the stage, the men and women regularly employed as screen writers are organizing a campaign against it. Both the Screen Writers’ Guild and the Writers’ Branch of the Academy are expected to take formal action this week, demanding that the production of stories based on perversion, or containing sequences showing it, be barred. They have no hope that the Hays organization will or can do anything to stop it. and feel that they must effect the cure themselves. One of the most prominent screen writers said yesterday: “If you want to get a job today in pictures at big money, all you have to do is to write a dirty book. Look what has happened recently. One of the most revolting novels ever published as William Faulkner’s ‘Sanctuary,’ but Paramount is making it under The Shame of Temple Drake and another major company has hired the author for its writing staff. The story is so dirty that George Raft refused to play the lead in it and stands suspended as a result, “Tiffany Thayer wrote ‘Thirteen Men’ and ‘Three Sheet’ and although neither of these has been announced for picture production, Thayer himself was hired to write for pictures. “Take a look at the pictures produced recently. There is Sailor’s Luck, with ‘pansies’ all through it There is the Lesbian dance in Sign of the Cross. There were Our Betters and the ‘nance’ cook in Hell’s Highway. There are innumerable examples and they are increasing. “The Hays office obviously has done nothing about it. The Hays moral code is not even a joke any more; it’s just a memory. The industry yells its head off about the terrible things that are done by censors, and then produces pictures which are a stench in the nostrils of every decent man and woman, pictures which are condemned by public opinion without the need of censor boards. “If no one else will act, the writers will. The great majority of men and women in the Guild and in the Academy resent such cesspool stuff and will use every bit of influence they possess, both individually and as organizations, to eliminate it from the screen.”

Saturday, February 26, 2011
Lucien Lelong 1930s fashion with fabric
Tuesday, February 22, 2011
Children Fashion Shop Window 1937
Sunday, December 26, 2010
Just Because

River Phoenix (1970–1993)

Claudette Colbert (1903–1996)

Monday, December 20, 2010
Myrna Loy

(1905–1999)
Apart from the movie “The Rains Came” where Myrna Loy shared her character among others like George Brent and Tyrone Power, a few months ago I watched Stamboul Quest, a 1934 film where Brent also shares a role in this movie. She is a spy and he takes her arm to enter into a world of great adventures that, at a certain point will put their own lives at risk
Aparte de la Película “Vinieron las Lluvias” donde Myrna Loy compartió papel con George Brent y Tyrone Power, hace unos meses vi Stamboul Quest, de 1934, donde también aparece George Brent. Ella interpreta una espía y él la acompaña hasta llegar a momentos de peligro para ambos.
Here is the movie trailer

Sunday, December 12, 2010
Myrna Loy in colours
Monday, December 6, 2010
Balenciaga: Spanish Master

From last 19th of November till the 19th of February 2011, The Queen Sofia Spanish Institute in New York is showing the first exhibition to consider the impact of Spain’s culture, history and art on one of its greatests twentieth-century sons, the legendary designer Cristobal Balenciaga (1895-1972). Hailed as “Fashion’s Picasso” by Cecil Beaton, Balenciaga’s innovations transformed the way women dressed, from the opening of his Paris fashion house in 1937 until his retirement in 1968. His visionary designs and impeccable standards seduced generations of the best-dressed women in the world.



Follow the story at spanishinstitute.org
Images:
Cristobal Balenciaga circa 1952. © Bettmann
Circa 1952. Chateau de Versailles. France. © Condé Nast Archive
Helen Bennet wears long-sleeved black woold crepe dress with a wide draped belt designed by Balenciaga and a turban made of silk printed in a “Persian” motif, with trailing scarf and dark gloves.
Circa 1938 . Photography: Horst P. Horst © Condé Nast Archive
Balenciaga Sleeves in satin circa 1953. Photography: John Rawlings © Condé Nast Archive

Vintage Subways for Christmas Season
NY1
“Many passengers are taking a ride through history aboard vintage subway cars.
For the next few weekends, the Metropolitan Transportation Authority will be rolling out the old subway cars every Sunday.
The cars first made their debut back in 1932 and ran throughout the city until the 1970s.
Many riders and transit enthusiasts say it's a rare opportunity to get an up-close look at an integral part of the city's history.

Tuesday, November 30, 2010
Boys Will Be Boys - 1935
Will Hay is a teacher in a prison, who applies for the Headship of Narkover, a public school. This is the first screen appearance of Hay in his (to be ) famous schoolmaster role, in a story based on Dr Smart-Alec, the character created by John Cameron Andrieu Bingham Michael Morton (J.B. Morton, "Beachcomber") Written by Michael Crew m.crew@bbcnc.org.uk
Director:
CAST: Will Hay, Gordon Harker, Jimmy Hanley, Davy Burnaby, Norma Varden, Claude Dampier, Charles Farrell, Percy Walsh

Wednesday, November 24, 2010
Strass et Vintage
Archives of the biggest fashion house until December 23, 2010.
Dior shoes from the fifties, first Cristobal Balenciga Collections, Mad Men Lanvin Style…
Chanel, Pierre Cardin, Yves Saint Laurent, the most beautiful pret a from seventy years ago until now.
Where? Galerie Renaissance, Paris.
What? Strass et Vintage
Text. Lucile Marchand
Via BuyBuy.com

Saturday, November 6, 2010
Weekend Poll: What time do you belong to?
I was reading an article that speaks about Ditta Von Tyssen and I know the pinup style doesn’t fit me well. I mostly prefer the 20s , its fashion and the flapper era. But at times, I can also feel that I would why not could be living in the 1900s, those times filled with art, culture, expeditions and marvelous perfume creations.
So, I was thinking why not write about this as a poll? This is a great way to know your likes, what times you really love most and perhaps seeing these images those who wonder will finally get an idea of what times they really feel to fit in.
So here are some images, randomly selected. Just choose one (or two) that will let us know what times, what old and not so old times you really love.
I made a selection starting with the 1900s. I could go further back but perhaps this will be posted on another article, only to show a certain time, let’s say the Victorian and Edwardian era.
So, here are the pictures. Chose the one or two photos that make you feel good as if you were precisely in the photo.
Let’s start with 1800s

1900

1910s

1920s

1930s

(btw, she reminds me of Madonna)
1940s

1950s

1960s

1970s

1980s

Make your choice!
Image Credits:
Victorian Lady Preparing Her Bath ca. 1890s /Bettman
Woman Dress as Virgin Mary © Alinari Archives/ 1895 – 1900
French Ballet Dancer Wearing Feather Plume 1900-1910 © Alinari Archives
Model Alden Gay Wearing Cartier Jewelry 1924 © Condé Nast Archive
Woman in Satin Crepe Suit 1934 © Condé Nast Archive
Designer Charles James 1948 © Condé Nast Archive
Model Suzy Parker with flowers 1956 © Genevieve Naylor
1960s Woman Dancing In White Fringed Halter Top Mini-Dress Skirt And Go-Go Boots April 21, 1965 © H. Armstrong Roberts/ClassicStock
Nan Kempner ca. January 1974 © Condé Nast Archive
Marc Jacobs Runway Show Fall 1986 © Condé Nast Archive

Tuesday, August 24, 2010
The Rich Are Always With Us (1932)
When I first got this movie, I didn't watch it right away, thinking
that, most probably it was a light comedy drama movie, but the actors interested me, especially George Brent and Bette Davis. Knowing that, in this movie, starring Ruth Chatterton, who was married with George Brent at that time, was happened to be the movie where Bette Davis and George Brent fell in love, appealed to me. Later on Chatterton and Brent would divorce but Brent and Davis never married although they kept a relationship for quite long.
But when I saw this movie I realized what a great actress Ruth
Chatterton was. And for a time when actors and actresses would say their line the best right and straight forwarded way,
Ruth Chatterton speaks in such natural way, at times repeating one or two words in a sentence, as if there was no camera at all. Something that nowadays actors do, at times not so naturally.
Bette Davis still not being "caught" by the clever camera, appears very glamorous, beautiful and determined, but her eyes, alas, the camera doesn't really focus the moment she is sitting on a couch and looking
to the right, slowly... what would made her later on "Bette Davis' eyes". Anyhow she is so wonderful here that Davis fans will really love her play. The romantic scenes are very well filmed, Bette and Brent have some hilarious moments, Ruth and Brent very charming and romantic, and because everything seems so naturally sophisticated, Brent kisses and embraces in a great gentleman's style. What he was in real life.
This movie's plot is very simple, but it is very well portrayed and love has a great importance as a meaning, like in so many classic movies. Only that in this one, love goes beyond "you and me"…

Wednesday, June 23, 2010
George Brent
I remember when I was little that my mother would give me the names of her favorite actors and I could hear one time and another Gregory Peck, Herbert Marshall… a few others and … George Brent.
After having seen many movies, discovered actors I had no idea of, from different countries as well, belonging to the silent era, talkies, classics, etc., I remember the first time I saw George Brent was in Baby Face (1933) as Courtland Trenholm, the man who finally redeems Barbara Stanwyck (depending if you switch endings, I believe, as I have not seen the “other ending”) What appealed to me of Brent was at first his attitude, his smiling eyes, his smile per se, very charming. His hair, so well done, but something about him, that I could not forget, as no one can forget the charisma someone shows without noticing. Sweet and charming, George Brent appeared to me as a very special actor, gentleman and with a very beautiful debonair.
Then, after a few months I started watching old Bette Davis movies with my brother and there I saw again George Brent who completely mesmerized me in Dark Victory (1939), The Great Lie (1941) The Rains Came (1939), In This Our Life (1942), The Painted Veil (1934),I could add Jezebel, but I saw this movie many years ago and cannot remember very well what happened only that I loved Bette Davis in that movie.
There are so many movies I would love to see featuring George Brent. I am going to watch very soon The Crash (1932) and I hope so many others. In The Crash Brent appears with Ruth Chatterton whom he married and made a few movies together.
George Brent has a peculiar biography if you check his page at imdb. In The Great Lie, he pilots an aeroplane, something that he was used to before he became actor. Needless to say, in those times, I would have loved to live as a journalist and interview so many stars that now are a great part of our nostalgia.


Saturday, March 27, 2010
Tanz-Sinfonie-Orchester Peter Kreuder - Easy to love (1937)
By Peter Kreuder.
I really love so much this kind of music. Magical, makes you daydream and imagine.
"Easy to love" is perhaps one of Cole Porter's most beautiful compositions. The song was featured in the MGM musical "Born to dance" starring Eleanor Powell, James Stewart and Virginia Bruse. It is James Stewart who serenades Eleanor Powell with "Easy to love..." read more














